![]() ![]() As they also usually work under highly pressurized and stressful conditions, a flexible and positive approach is highly valued. Firsts work long and often unsocial hours on a freelance basis, so a strong commitment to the job is essential. They must also constantly prioritize tasks, and may be frequently interrupted, the ability to multi task is crucial. Being an excellent communicator, with tact and diplomacy skills, is also essential as they must routinely deal with problems or even crisis situations. The ability to plan ahead, trouble shoot and pay close attention to detail is vital in this role. They need exceptional organizational and time management skills. Firsts are also responsible for health and safety on set or location, and must take action to eliminate or minimize hazards at all times.įirst ADs must be authoritative team leaders and motivators, while also being approachable team players. They also control discipline on the set, supervise the other assistant directors, and oversee the preparation of the daily 'call sheet' (a document detailing daily shooting logistics, which is distributed to all cast and crew). During production, they must ensure that everyone is on standby and ready for the director's cue for action.įirst ADs' core responsibility is to keep filming on schedule by driving it forward, so they frequently make announcements and give directions to coordinate the cast and crew. ![]() Preparing the storyboard, overseeing the hiring of locations, props and equipment, and checking weather reports, are all key pre-production duties for Firsts. When drawing up the shooting schedule, First ADs must also be aware of budgetary constraints, cast availability and script coverage. Overall, they provide the key link between the director, the cast and the crew, while also liaising with the production office, and providing regular progress reports about the shoot.īefore the shoot, the Firsts' main task is to create the filming schedule, working in careful consultation with the director in order to fulfill his or her creative ambitions. They are also in charge of a department of other assistant directors and runners. Once the film is in production, Firsts are in charge of making sure that every aspect of the shoot keeps to this schedule.įirst ADs' main duties are assisting the director, coordinating all production activity, and supervising the cast and crew. They then draw up the overall shooting schedule (a timetable for the filming period). During pre-production, First ADs break down the script into a shot by shot storyboard, and work with the director to determine the shoot order, and how long each scene will take to film. The First Assistant Director (AD) is the director's right hand person, taking responsibility for a number of important practicalities so that the director is free to concentrate on the creative process. This means that it is now more common for First Assistant Directors to transition to production management and Producer positions, than it is for you to switch back to the creative side.Assistant Director (1st) What do Assistant Director (1st)s do? Finally, you are responsible for the general health and safety of everyone on set (no big deal).Īlthough during Hitchcock’s time it may have been natural for 1st AD to progress to the rank of Director, today production management has become its own area. To do this you prepare a ‘call sheet’ – a document detailing each day’s shooting logistics. With the Griffin behind us, Stirling Ackroyd Groupare committed to putting our people first. Once in production you keep the filming schedule on track, and supervise the other Assistant Directors (2nd and 3rd AD’s) and the Runners. The Average Assistant Director salary in the UK is 55,496. ![]() You also supervise the selection of locations and the acquisition of props and equipment. Your job starts during pre-production, when you break down the script shot-by-shot to determine shoot order and the length of each scene. Here you run the film set, co-coordinating the entire production and overseeing the cast and crew. If your interests run more managerial than creative, a job as the First Assistant Director could be your spot in the film world. As the First Assistant Director, you liaise between the Director and the production department, taking care of the technical aspects of filmmaking so that the Director’s creativity can flow undisturbed. The First Assistant Director (1st AD or First) is the Director’s right-hand (wo)man, or rather their “right-brain” (wo)man. ![]()
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